This weekend I didn't get a chance to watch the two-part MLP:FiM "A Canterlot Wedding" season finale until very late on Saturday night/Sunday morning after I got back from my monthly "Lake Area Furry Friends" bowling meet. Luckily, out of my two brony friends that were also at the meet, one of them hadn't yet seen the new episodes yet either (in fact we both actually greeted each other by saying how we hadn't seen them yet and to not spoil anything for one another), and the other brony friend, who had watched the new episodes, was smart enough not to say anything beyond telling me that Luna did end up making an appearance in the episodes, and that I would end up hating Tori Spelling before the night was over. Naturally, he was right on both accounts!

When I did finally get to watch the episodes, I made as big of an event out of it as I could-- I made sure that the rest of the family was long in bed so that I would have no distractions, I proudly wore my Derpy Hooves t-shirt while I watched, I had a bag of steaming-hot Taco Bell by my side so I could enjoy one of my favorite guilty-pleasure meals while I was watching, and I had my faithful lap-cat Merlin comfortably curled up in my lap. As Iron Will would say, I was ready to rock!

As you all know, I have had a lot of concerns for a long time about this upcoming season finale. And one of the very first things that I noticed while watching the season finale was how the writers/production crew of this episode seemed to at least attempt to address some of them. In fact, I very much got the impression that somewhere along the line during the production of this episode that there must have been some sort of big powwow by all of the production staff where they all gathered around and had a discussion about what they should do about all of the backstory
revisions that they were making, and I have a feeling that this conversation went somewhere along the lines of this:
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Production Person #1: "Hey, um, the writer wants to invent a new older brother for our show's main character, Twilight Sparkle."Production Person #2: "Seriously? But we have already produced 50-straight episodes of this show where Twilight Sparkle has acted like an only child. In 1,100-minutes of running time we have never even hinted at her ever having a sibling-- we have only ever showed her with her parents! Creating a new older brother now would be creating a "Remember the New Guy" trope, and one that is related to our show's main character no less! All of the 20 and 30-somethings that live in basements and complain endlessly on Internet forums about this show are going to roast our butts over this for sure!"Production Person #1: "I know I know, but the writer doesn't want to have to come up with a more creative way to involve the entire Mane 6 in her royal wedding plot. If she makes the wedding involve a family member of Twilight's, then that provides a convenient way for both Twilight and her friends to be invited to the wedding and get involved."Production Person #2: "I get it, but what are we going to do about those 20 and 30-something fans that have no lives and live in basements?"Production Person #1: "I know what we should do! We can introduce our backstory revisions through song! We will just have Twilight Sparkle sing about how much she loves her older brother and how close they are, while at the same time showing a flashback montage or something! Everybody loves Daniel Ingram's songs! Even those godforsaken 20-something Internet know-it-alls, who are the bane of our very existence, can't badmouth a Daniel Ingram song! It would be almost like blasphemy for them to do so! That will shut up those whining over-analyzing fanbois! I'm telling you that it will work! It's genius!"--------------------------------------------------------------------------------
While naturally I have absolutely no idea if such a conversation ever took place, I am going to tell you right now that introducing the Shining Armor backstory revision through song didn't really work for me, and that I am still going to whine about it! I pretty much have to! I live in a basement and have no life, so what else better do I have to do?

Anyway, let's go through all of the concerns that I had before these episodes aired, and lets see where my fears were founded, unfounded, and addressed. This means that I will get to quote a lot of stuff that was written by my absolute most favorite person on these forums, myself, and that you will all get to be treated to some real hardcore Hoagiebot on Hoagiebot action!

II. Twilight Sparkle has a Previously Unmentioned Older Brother
While I am addressing my concerns out of order, since I already brought up Shining Armor I guess that I will start off with him. To be completely honest, I am actually feeling a bit divided on how hard I should tear into his introduction into the series. On one hand, as an amateur writer myself I have always felt that telling an entertaining story should always be a writer's primary priority, and that if a writer needs to make some additions, revisions, or outright retcons to a pre-established continuity as a necessity to pull that off then they should do so. Or in other words, the ends can sometimes justify the means. At the same time however, messing with continuity can be a dangerous thing, and even if you do have an awesome story idea in mind you should mess with continuity as little and as respectfully as possible.
To explain further, I am going to reference some ideas that were mentioned by Eric Burns in his absolutely awesome essay on story retconning,
"Retconning: Just Another Day Like All The Others." In the essay, Eric Burns writes:
[Retconning] is a tool, in other words, but it is one that should be used very, very, very rarely, because it deliberately breaks the emotional investment your fans have in your core product: your story. You take a significant risk that your fans will not then reinvest every time you do it. Which means you'll lose some of your fans every time you do it.
It's also a tool to be used sparingly because the retcon will always feel like fiat, whereas the continuity it replaced was organic. It grew and built over the course of months or years or decades. The resulting patches will be weaker, and won't take the strain the original would.
And it is a tool to be used sparingly because once you start to retcon, you start wanting to do more. It's a rare writer or editor who does what he feels is a necessary retcon who won't then throw in a bunch of flourishes just because they thought it would be cool. And even if the retcon could have worked all right, the flourishes inevitably cause destruction and lay waste to all they touch.
Shining Armor is an example of what Eric Burns calls a "Category One Retcon," or a "Now Revealed! A Lost Tale of the Hero!" type of retcon. Category One retcons are generally the least damaging and least likely to be poorly received by longtime fans because they are not actually contradicting anything that has already been established over the course of the show, but are instead adding to the established history of the show by shoehorning additional history or backstory in. These retcons tend to take the form of, "while we never explicitly showed you or told you about X before now, he/she/it actually existed all along!" In other words, it tends to work only because the writers never explicitly said at some point that X wasn't there or couldn't happen. Often times such a small addition to a show's in-universe history can be done well, and can be well received by fans. But just as Eric Burns warned, once a writer starts to retcon, it can become very easy for the writer to forget that they should be changing things as little as possible, and they start adding "cool" flourishes to their retcon which further complicates things, adds additional strain to their long-time viewers' emotional involvement with the fictional world and the characters, and increases the risk of ruining things and alienating fans.
I think that it is all of the flourishing that Megan McCarthy did with Shining Armor really ruins it for me in this case. In "A Canterlot Wedding," she introduces him as Twilight Sparkle's older brother. O.K., that's bad enough, especially since as I mentioned above, Twilight Sparkle is essentially this show's main protagonist. But then we are told that Shining Armor and Twilight have always been extremely close, and that he is the best and closest friend that Twilight Sparkle has ever had in her entire life, even though she has never mentioned him before. O.K., that's a lot worse. But *then* the writer has Twilight Sparkle mention that she has still been seeing him this entire time, albeit less than she used to, while she has been living in Ponyville. O.K., that's even worse still!
But then the writer goes even further, and says that Twilight's brother has an extremely prominent and super-important job as the Captain of the entire Royal Guard, a group that we have encountered quite often over the course the series! For crying out loud! Enough flourishing already!!! Holy cow, it was bad enough that they were introducing a never-before-mentioned older brother, but why did the writer have to then go ahead and embellish Shining Armor's past involvement in Twilight's life, and his current involvement in Equestria now, and lay it on thicker and thicker and thicker and thicker!
If you think of a retcon as an unpleasant pill that you as a long-time fan have to swallow, the writer just kept on making the Shining Armor pill bigger and bigger and bigger and then covered it with shards of glass! I mean seriously, did they have to shoehorn all of that into MLP:FiM's continuity? Couldn't they have still made this episode's plot work with less? Maybe the story could have still worked if Mister Captain of the Royal Guard Shining Armor was actually just a close first cousin of Twilight's so that we wouldn't have to swallow that Twilight had a prominent older brother that we just never knew about before now. Some cousins can grow up together and be really close friends, you know. It could happen! Or how about explaining her older brothers' absence by saying that he was in Celestia's Royal Guard, but that we hadn't seen him or heard about him before now because he has been stationed at a far-away outpost for all of these years, and has been since Twilight was a filly. That might have been made to work too. I am sure that there are plenty of ways that the writer could have decreased the amount of all-out revisionism that she had to introduce to shoehorn in Shining Armor. The point is that in my opinion, when the writer should have been doing everything in her power to minimize the amount of retconning that she had to do to make her story work, she instead seemed as if she was doing everything possible to increase it as if having Shining Armor as a prominent figure in the show was her own personal crusade or something! I still think the overall story could have still worked if they didn't build up his prominence in Equestria and Twilight's past so much, making his sudden addition so darn glaring!
I. Princess Cadance is a Winged-Unicorn
Cadance herself was... just a random alicorn (also a princess I guess!), which means Luna and Celestia are goddesses who happen to be alicorns.
I too noticed that despite being a winged-unicorn, Princess Cadance didn't seem to have anything along the lines of some kind of over-the-top winged-unicorn magical powers. She showed none of the terrifying and overwhelming magical might of Princess Luna, she didn't seem to have any kind of royal responsibilities over some kind of celestial object in the sky, and since we saw a young Cadance in the flashback of her being Twilight Sparkle's foal-sitter, apparently she isn't thousands of years old either. All of this leads me to ask why she was made to be a winged-unicorn to begin with. Having her be a member of this extremely rare and exclusive super-race of ponies adds absolutely nothing to the story, and it isn't touched upon much in the story if at all. Princess Cadance could have been portrayed as a regular old standard unicorn with a talent for love spells, and the change wouldn't have effected the outcome of anything! So once again, a change was made to the universe of MLP:FiM that was probably a bit more "flourished" than necessary. I just wish that I knew who was responsible for this particular decision so that I knew who to blame-- is Cadance as a winged-unicorn an invention of Megan McCarthy, or is Cadance as a winged-unicorn an invention of Hasbro's toy-line and then shoehorned by the Hasbro executives into the show? The fact that I read that "Cadance" was actually named after a Hasbro executive's daughter makes me start to wonder if the latter group is to blame, but still, there is nothing that I saw with Cadance that justified breaking the two winged-unicorn regal sisters yin-yang that the writers had going in Eqestria up until now. They could have just as easily made her a unicorn like they did previously with Prince Blueblood.
It seems that in the teaser scenes that the HUB has been showing that Cadance is going to be played off as some kind of manipulative character, such as TVTrope's "The Vamp." However, how will she react when she gets backed into a corner? Will she continue to attempt to manipulate those around her by pulling off something like a "Wounded Gazelle Gambit," or will she resort to using her god-like magic to such a degree that only the Elements of Harmony could have a chance at slowing her down?
To pat myself on the back a bit, I so nailed that one! The "Queen of the Changelings" Princess Cadance was definitely an example of "
The Vamp" character trope, so much so that she was literally feeding off of the love of Shining Armor! And I was also correct in predicting how she would react when she got backed into a corner, in this case by Twilight Sparkle. Just like I figured, the evil changeling Cadance pulled the "
Wounded Gazelle Gambit" when Twilight Sparkle confronted her-- not
once, but
twice! And when the evil Cadance was finally confronted by the real Cadance and could pull off her manipulative charade no longer, she finally did reveal her true form, bust out her god-like magical powers, and throw down! Apparently, I had this character's number!
Speaking of the Queen of the Changelings resorting to using her god-like magical powers when being backed into a corner, that lead to the most disappointing confrontation that I have ever seen in
My Little Pony: Friendship is Magic in my entire life. It was so disappointing in fact, that for me at least it overshadows all of my other complaints about this two-part episode. In fact, it may be the biggest let down that MLP:FiM has ever done to me. Of course I am talking about the (anti-)climatic confrontation between Princess Celestia and the Queen of the Changelings. To understand the root cause of my massive disappointment with this confrontation, we will have to take a step back to some of the comments that I made during the beginning of Season 2 when I was still fairly new at being a brony. During that time I went on and on in these forums complaining about how I was let down by the villain Discord in the season premier because to me he was just an over-glorified
"Generic Doomsday Villain." My discontentment over Discord however did inspire me to at least attempt to put my money where my mouth was, and try to come up with a MLP:FiM villain that was better, and didn't share any of the problems that I saw with Discord. I brainstormed for months coming up with ways that a villain could threaten both Equestria and the Mane 6, and do it without having to resort to using generic doomsday villain-style overwhelming might, anti-magic, or other such over-the-top
"story breaker powers." And believe me, it turned out to not be the easiest of mental exercises because if you really sit down and think about it, the villains of this show have the entire deck of cards stacked against them.
To explain, the first obstacle that any MLP:FiM super-villain on an Equestria-threatening scale would have to deal with is the godlike powers of the regal winged-unicorn sisters, Princess Celestia and Princess Luna. As I mentioned in my last post, Princess Luna has shown us a few times over the course of this series that the two regal winged-unicorn sisters are pretty much incomprehensibly powerful and able to perform incredible magical feats such as moving immense celestial objects, shapeshifting into multiple separate sentient entities simultaneously, creating severe weather events, making cliffs collapse from beneath other ponies' feet, attacking with lightning, turning into clouds of mist to travel, attack, and evade, making inanimate objects come to life, and so on and so on. Now think for just a second about just how difficult it can be for a writer to come up with a villain that can somehow stand a chance at being a credible threat to an all-powerful being like that without said-villain being incinerated into his/her component molecules by Celestia or Luna almost instantly. It's like trying to find a way to have a villain stand up to the all-powerful Old Testament Hebrew God and somehow survive-- just ask the Ancient Egyptians of the Exodus story about how well that worked out for them!
And to be honest, I don't think that the MLP:FiM writers ever did a good job with creating a large-scale villain that could take on Celestia and Luna. To explain what I mean, in the past the MLP:FiM writers overcame this almost insurmountable challenge in two ways, both of which were basically cheating. First, they decided to make Celestia's mind-boggling magical powers put in check by having her being challenged by an equally-powerful Nightmare Moon. While having two evenly-matched opponents lock horns in battle could have lead to some interesting results, in a cheap move we were never really shown
how Nightmare Moon overpowered and captured Celestia in the "Friendship is Magic" season 1 premier episodes. Instead, that event happened off-screen, and was left as a mystery to the audience. However, since Nightmare Moon was another all-powerful winged-unicorn, we could at least take some satisfaction in the fact that if anything could take out an all-powerful living god it would be another all-powerful living god.
For the beginning of the second season, the question of "How in the heck can we have a villain somehow still be threatening with that darn all-powerful Princess Celestia around?" was answered by making the new villain, Discord, the living embodiment of just about every single
story breaker power known in existence. I mean seriously, look at the powers and abilities that Discord had that are also listed on the TVTropes.org "Story Breaker Power" list:
- Anti-Magic - He was able to negate or otherwise render ineffective the magic of Twilight Sparkle, Rarity, and Princess Celestia.
- Reality Warping - In fact, that is probably the primary power that all of his other powers stem from, and the one that he exhibited the most often.
- Mass Mind Control - Shown when Discord became frustrated with trying to convince Fluttershy to turn on her friends and just plain forced her to turn mean with a touch of his finger instead.
- Teleportation - He pops in and out of various places even more easily than even Twilight Sparkle, probably again thanks to his reality-warping abilities.
- Weather Manipulation - Chocolate rain, guys! Chocolate rain!
- Voluntary Shapeshifting - Hey guys! I'm in a stained glass window! Now I am a talking bunch of apples! Now I am a talking balloon! Now I am a talking butterfly! You get the idea...
Dodging the "how do we get an all-powerful Celestia" out of the way by giving the villain special reality-warping and Celestia-magic nullifying powers is sooooo cheap. It doesn't take any real thought or ingenuity at all. And then having this insanely powerful villain essentially only get defeated because of his own stupidity and suicidal overconfidence is even worse! And that, in a nutshell, is why I have never liked Discord...
Moving on, even if you do find a way to get the all-powerful and almost godlike regal pony sisters out of the equation, you still have to have your villain deal with the Mane 6, who are pretty formidably powerful in their own right. First, lets take a look at Twilight Sparkle. She is capable of performing powerful magical feats herself, such as telekinetically moving water towers, creating force fields large enough to surround a building, teleportation, and her most powerful form of magic of all, creating mustaches. Throughout the entire series she has always been a force to be reckoned with, and ever since the Merriwether Williams episode "Dragon Quest," Twilight Sparkle's powers have been leveled-up even further, and we have been shown that Twilight Sparkle now has the ability of being able to teleport herself and several of her friends long distances and out of danger at pretty much anytime. (Having Twilight Sparkle be able to instantly teleport herself and others long-distances and out of danger is of course a complete
story-breaker power as well, and one of the reasons why I can't stand Merriwether Williams's writing.) In fact, after "Dragon Quest," pretty much the only way that you can have Twilight Sparkle not ruin every story
is by having her conveniently forget that she can teleport her and others long distances as a whim. In part 2 of "A Canterlot Wedding" for example, when Twilight Sparkle got trapped inside the crystal caves beneath Canterlot castle by the Queen of the Shapeshifters, all I could think to myself was, "How is this even remotely a problem? Thanks to Merriwether Williams, Twilight Sparkle can teleport where ever the heck that she wants whenever she wants. This might slow her down for I don't know, maybe a couple seconds or something." But, for the convenience of the plot, Twilight Sparkle's teleportation abilities seemed to have taken a serious downgrade in power from what we saw in "Dragon Quest." In "A Canterlot Wedding," it appeared as if she could only teleport somewhere if she could physically see it, such as across a room or up onto a ledge. Since I hated the fact that Merriwether Williams upgraded Twilight Sparkle's teleportation powers to story-breaker levels to begin with, this little
de-powering of Twilight Sparkle didn't bother me as much as it otherwise would have because in the long run I tend to want to forget about just about every single thing that Merriwether Williams has ever done. However, at the same time, it's not like I still didn't notice..
Moving onto the rest of the Mane 6, any villain that you write for the show also has to contend with the very capable Rainbow Dash. While Rainbow Dash isn't quite as much of an obstacle as Twilight, she is still extremely formidable in her own right. She can fly so fast that she can use her speed to punch rainbow-colored holes in the sky in the form of sonic rainbooms. Should she perform her sonic rainboom near a ground structure, she can obliterate the structure with a rainbow-colored mushroom cloud. And if that wasn't intimidating enough, Rainbow Dash has been shown to be a practitioner of the martial arts, and has punched, kicked, and bitten her way through heavy wood beams and the occasional cave-dwelling dragon's face. In fact, if it wasn't for the fragility of her wings, she would almost be the kind of superhero that TVTropes.org calls,
"The Flying Brick." Then there's Applejack, an amazing athlete in her own right, and could probably kick the skeleton straight out of just about any villain's skin with her two back legs, "Bucky McGillycuddy" and "Kicks McGee"-- and that's if she hasn't already hogtied you with her lasso first. Rarity, including in this latest episode, has shown that she too can really put the hurt on in a brawl, and even shy little Fluttershy has shown that she can be a force to be reckoned with as long as she has listened to some Iron Will assertiveness seminars first. And don't forget Pinkie Pie with her
"Pinkie Sense" and Bugs Bunny-like reality-warping powers of her own. In other words, it is not exactly easy to write a villain that can take on the entire Mane 6 and have a hope of winning, let alone take on Princess Luna and Princess Celestia too!
However, as I wrote above, I pretty much made it one of my own little side-hobbies to come up with ways to have a villain be able to believably become a threat to the Mane 6 and Equestria, without necessarily resorting to cheap tricks and story-breaker powers to get there. Because of my extreme fascination with this sort of thing, I was *extremely* interested in seeing how Megan McCarthy was planning on having her villain take on Princess Celestia and survive. In fact, I was actually on the edge of my seat when the Queen of the Changelings actually decided to reveal herself right in front of Celestia,
in her own castle no less! I even started yelling at my TV when the Queen of the Changelings, now transformed into her true form, went on a 2-minute-long
villainous monologue without Princess Celestia butting in and putting and end to it. "Where in the heck was Celestia!?", I exclaimed to my poor startled lap cat. "Did they conveniently decide to 'remove' her from this scene!?" But then all of a sudden I heard Celestia yell "No!" and I became excited once again-- it looked like it was going to be on like Donkey Kong, and that the epic battle that I was waiting for between Celestia and the Changeling Queen was finally going to take place! And then... And then...

What the heck just happened!? That's it!? That's how easy it is to take out Princess Celestia? Where is all of her magical lightning, wind, and thunder? Where's her ability to transform into mist? Where is her ability to stomp her hooves and make the ground suddenly crumble beneath her opponent!? Where's her ability to shapeshift into multiple sentient entities!? Heck, her energy beam stand-off with the Queen of the Changelings wasn't even very impressive! (
If you want to see an impressive energy beam stand-off, this is how it's done!) I spent all of these months straining my brain about how to defeat a winged-unicorn living god, and in the end all she is is some kind of giant white paper tiger! What is she made of? Marshmallow!? Heck, from the looks of this episode, all some pony needs to do is sneeze and she'll fall over! No wonder they never showed how Nightmare Moon was able to take down Celestia in season one-- it was probably almost instantaneous and boring! From the looks of this, all it takes to topple over Celestia's regime is a stiff breeze or something! Arrgh! Why did I ever waste my time coming up with clever ways to take Celestia out! This episode makes it all for not! No one will ever believe my fan fictions if I ever write them now, as I made Pincess Celestia too tough in them! Newborn kittens can threaten Equestria from the looks of it! You'll have to excuse me, because now all I want to do is bang my head against my keyboard for the next several minutes!
*BANG!* *BANG!* *BANG!* *BANG!* *BANG!*Speaking of "bang my head against my keyboard" moments, we have had yet another MLP:FiM super-villain get defeated because she was as thick-as-a-board stupid again! In fact, I am having a hard time deciding if our Queen of the Changelings is even stupider than Discord was. At 29:43, right after the Queen of the Changelings burns Celestia's precious little horn and then rips through her like a wet paper bag, she happily discovers that Shining Armor's love for Princess Cadance was so strong that it was even stronger than Celestia's magic, and yet, only five minutes later the Queen of the Changelings disregards the power of Shining Armor and Princess Cadance's love as only being a "worthless sentiment." Really, Queen of the Changelings? You are now disregarding the same power that you *just used* to gain the upper hand as now being only a "worthless sentiment?"
*Tactical Facepalm!* If anyone should have known the power of that couple's love it should have been the Queen since she was only feeding off of it for God knows how long! I mean really, is it soooo much to ask to finally have a villain that isn't a complete moron for a change? I can't believe that I am saying this, but I can't wait for Diamond Tiara to grow up, because so far that little school-aged sociopath has proven to be the only evil force in all of Equestria that isn't also as dumb as a brick. In fact, I bet you anything that in 20-some-years-time from now that Diamond Tiara will actually conquer Princess Celestia and destroy Canterlot, only instead of accomplishing this feat through some kind of evil magical means it will be because Princess Celestia defaulted on Canterlot Castle's mortgage and Diamond Tiara bulldozes it to put up luxury condominiums. I realize that that is not as flashy as making the sun never rise again or something like that, but hey, Diamond Tiara is a villain that actually gets things done!
One thing that bothered me was, despite Luna and Celestia both being in the episode I really didn't feel like anything was done with them. Luna's lines were so odd and irrelevant. -"Rest, my sister. As always, I will guide the night." She just needed to point out she doesn't spend her time at another castle as Hoagiebot suggested. -"Who goes there? Stay indoors, Twilight Sparkle!" didn't make much sense to me actually; was there a curfew or something Twilight was disobeying? Didn't seem like it! -"Hello everypony, did I miss anything?" seems like another 'remember Luna still exists!' sort of line. I guess Luna's thoroughly nocturnal but I still would have liked her lines to actually mean something.
I couldn't agree more, Aspect. In fact, the whole awkward inclusion of Princess Luna made me imagine yet another imaginary conversation that may or may not have actually happened amongst the show's production staff during the creation of this episode:
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Production Person #1: "Hey, um, all of those mouth-breathing still-live-with-their-parents brony fans are wondering if Princess Luna is going to be in this episode."Production Person #2: "Who?"Production Person #1: "You know, Princess Luna. Princess Celestia's sister."Production Person #2: "Who?"Production Person #1: "You know, the pony with the star-field hair that M.A. Larson put into his episode, 'Luna Eclipsed?'"Production Person #2: "Wha? I thought that star-field chick was just some one-shot pony that that writer had made up for that episode."Production Person #1: "No, she's canon. That and the fans really want to see her."Production Person #2: "But we all ready have this episode 98% animated! It's too late! She's not going to be in there!"Production Person #1: "But she's a princess! She really ought to be at a royal wedding, don't you think?"Production Person #2: "No."Production Person #1: "But all of those 20 and 30-somethings are going to write angry blogs about this! And I can't stand to read any more angry blogs-- they make my spirits fall faster than Princess Celestia does in a magic fight!"Production Person #2: "Whoa, that's fast! Grrrr! Fine! We have like 30-seconds worth of footage that we haven't animated yet. Maybe we can shoehorn this so-called Luna character in there somehow..."--------------------------------------------------------------------------------
Once again I have absolutely no idea what-so-ever if a conversation like this ever actually took place. However, in my brain it certainly did because that's what Luna's inclusion felt like to me while I was watching these episodes-- like her inclusion was some sort of last-second afterthought. I mean, I know as well as anyone that Princess Celestia is supposed to be the princess that is responsible for the day, and that Princess Luna is supposed to be the princess that is responsible for the night. However, since when does that have to mean that Luna can never appear during the daytime? We have seen Princess Celestia after the sun as gone down before, after all. For example, during the Grand Galloping Gala Princess Luna didn't suddenly enter the castle, tag Princess Celestia, and then say, "I am taking over since the sun has gone down." No, instead we saw Princess Celestia and only Princess Celestia during the entire gala. So really, why couldn't they have had Princess Luna standing along side Princess Celestia up at the alter during the royal wedding? Is Cadance not Luna's niece too? I see no canon reason for why Luna couldn't have also been there. Add that to the fact that since Luna, as Aspect mentioned, was given no role with any kind of importance during this episode's plot, and I really think that she truly was only added as an afterthought, just like she was in my imaginary conversation above.
And while I am still on the subject of the princesses, what the heck is up with this:

Seriously? Is that how the princesses really "guard" all of Equestria? And how well did it work out for them?

Oh.
I guess no one was around to man the telescope during the wedding itself to see those thousands of changelings repeatedly slamming themselves against the force field, huh? Now don't get me wrong. It's not that I expected to see a phased-array RADAR up on that castle tower protecting Canterlot or anything, but this is a land of magic after all, so I figured that Celestia and Luna would have something better than just a plain old telescope to watch over Equestria with. I mean seriously, the Wicked Witch of the West had a magic crystal ball to see potential threats. In
Snow White the evil queen had a magic mirror. In
ThunderCats, Mum-ra the Ever-Living had some kind of magic pool that allows him to spy on everything from afar. And in
The Black Cauldron there was some kind of magical oracle
pig that had the ability to reveal hidden information. A pig! So you see, there are plenty of magical options out there people! Is a telescope really the best that they could have done? *sigh* And at the very least, could they have at least had some royal guards watching through the telescope or something while the wedding was going on? I mean you would think that thousands of changelings suddenly surrounding the castle would be kind of hard to miss!
And that reminds me about an unexplained loose end in this episode hat has really been bugging me. We are told at about 7:40 or so into part 1 by Shining Armor himself that the reason why the security around the castle has been heightened so much is because an anonymous "threat has been made against Canterlot." Um, O.K., there is something that is seriously out of place that is going on here. Who in the heck made this anonymous threat against Canterlot, forcing them to dramatically increase their security measures? It certainly wouldn't make any sense if it was the Queen of the Changelings who made the threat. Her ultimate goal was to have her changelings invade Canterlot. While one of the potential reasons why the Queen of the Changelings chose Shining Armor to feed off of was so that she could use her powers to weaken his force field spell and ultimately cause it to fail, at the same time, wouldn't it have just been easier for her to invade Canterlot if there was no force field around the city at all? So there is absolutely no advantage what so ever to the Queen making the threat, as it only adds an additional obstacle for her. And if it wasn't her who made the threat, then who? The Queen's plans of masquerading as a pony princess relied completely upon secrecy for it to work, so I would think that if there was somepony else out there who was tipping off Princess Celestia about her plans that the queen would be desperately trying to find out who. It also starts to lead me to wonder if there is a bit of a chicken and the egg problem that is happening here, as in what happened first? Did Canterlot get tipped off about the upcoming ominous threat first, causing Shining Armor to "raise the shields," which then forced the queen to have to feed off of him to neutralize him? Or did the queen choose to feed off of Shining Armor first, and when he had to "raise the shields" to respond to the unknown threat later on it had just so happened that the queen conveniently had already chosen to feed off of the one pony that could create those shields? I dunno, but it was a loose end that I really wished that they had tied up.
III. They are Taking Way to Much Imagery from Prince William and Kate Middleton's Real-Life Royal Wedding
Luckily, this fear of mine turned out to be pretty much unfounded. Most of the imagery showing the ponies emulating clothing and scenes from last year's British royal wedding pretty much only showed up in the promotional material for the season finale, and not in the season finale itself. However, there was definitely one case where I saw some
truth in television-- the manipulative evil Cadance actually reminded me very much of my last business partner!

Luckily, my post about this episode isn't going to be entirely made up of my griping. It will be mostly made up of my griping, since all I have pretty much done is gripe so far and at this point I am getting
really tired of typing, but there was definitely a lot to like about this episode as well, and I will try to mention as much of it as I can before I wear down completely and pass out at my keyboard.
First of all, I would like to say that as always, I found the episode to be very well done. The animation was for the most part pretty exquisite as usual, the music was very good (especially the song "This Day Aria"), and the story, my nerd rage and nitpicking aside, was fairly pleasant. I really liked some of the gags in this episode, such as Spike constantly playing with the figurines of the bride and the groom, how he wanted to throw a bachelor party, etc. Probably my favorite joke of all was when Princess Cadance and Twilight Sparkle were trying to escape from the crystal caves and were confronted by the evil bride's maids. The fact that they got by the bride's maids by throwing a bouquet made me laugh out loud, and is probably yet another example of
"truth in television!" 
To make a side comment, I personally could think of worse ways to die than at the hands of
three cute unicorn bride's maids! In fact, they just may become my new Windows destop background!

Seeing Princess Celestia wake up in a giant butterfly chrysalis was somewhat satisfying, especially after she had so disappointed me with her weak efforts to save her kingdom earlier. The only thing that would have made Princess Celestia's capture even more satisfying is if the changelings had laid eggs in her chest leading to
this, but I doubt that they would have shown that in a children's program so I'll take what I can get. I also saw one piece of MLP:FiM continuity in this episode that
never seems to get contradicted, and that is
that the royal guards are *still* completely useless. I swear, I don't know why Celestia even keeps them around. (Well O.K., I do have an idea, but I would need to start a thread in Furtopia's adult forum to explain it.

)
And how about those photos that they showed from the wedding reception, eh?

This one ought to throw a wrench into the ideas of all of those Appledash, Twi-dash, Raridash, Spitfire-dash, and all of those other <<insert a mare's name here>>-dash shippers out there! And as a side benefit to me, it might also throw a wrench into the works of all of those Spitfire-Soarin' shippers out there! Spitfire's all mine do you hear me?
MINE! 
And how about this scene from the reception:

It makes me wonder if this is the start of Spike falling into what TVTropes.org calls a
"Settle for Sibling" romance trope!

So anyway, once again there was really a lot to like in this episode, and it was a pretty decent season finale. Despite my nitpicking, I definitely liked this episode a whole heck of a lot more than I didn't.
I've read complaints by some people (other places) that called the finale 'too Disney'. And sure, it does feel very Disney, but it was still awesome. I grew up watching Disney movies, so seeing a cartoon like this mimic the formula (successfully, I might add), brought back some memories.
If the complaints about this season finale "being too Disney-like" revolved around the fact that its plot was very reminiscent of the second act of Disney's
The Little Mermaid were both Ariel and a shape-shifted Ursula are both vying for the Prince Eric's hand in marriage, then yes I can see where they are coming from, since there are definitely some similarities between the two. If the complaints are more about the "style" of this episode being too "Disneyesque," then I would personally take that as a compliment. Walt Disney Feature Animation was the world leader in animated feature films for several straight decades for a reason, and that reason was that they were at the leading edge of their craft. Personally, I can't think of any other animation house that I would want to be compared to more. So if there are actually people out there that are complaining about how MLP:FiM have actually upped their game to the point of being comparable to Disney, then I don't know what the heck that they want out of the show. Do they want MLP:FiM to be more like South Park perhaps, because if they do maybe they're watching the wrong show! Geez, there is just no pleasing some people, and that's coming from me!

Speaking of Disney...
Man, saying that the "A Canterlot Wedding" episodes are like Disney's The Lion King in any kind of capacity is one heck of an endorsement, so these episodes may really be something if they live up to the hype. And while I highly doubt that there will be a Lion King-esque Elton John-sung "Can You Feel the Love Tonight?" love scene with Spitfire laying on her back in the grass to make this hopeless-romantic Hoagiebot's dreams come true...

Well what do you know. It's not Spitfire laying on her back in the grass, but what the heck!
I'll take it!!! 
And on that bombshell, I'll think I'll end my post here! I've already put 14-work hours across three days into typing this thing, so despite the fact that there is still more that I could comment on I think that I will give my typing fingers and your reading eyes a break!
